Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

Our Railway 200 series continues with a look at trains in British animation, from a 1980s Ovaltine advert to a psychedelic gem from the Yellow Submarine team.

This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.

I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.

The collection includes Jones’s personal 16mm copies of the Monty Python feature films.

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

Eros and Thanatos battle it out in these horny Halloween horrors, where monstrosity, repressed sexuality and devilish decadence feed into some truly transgressive movies.

Applications are now open for the BFI National Lottery Audience Projects Fund, which will award £19.7m of National Lottery funding over three years to support the exhibition and distribution of ...

The Peak District plays the Lake District in Jorge Grau’s cult 1970s zombie horror film The Living Dead at Manchester Morgue. As the film comes to BFI Player, we went walking in search of its ...

Ahmed stars Ash, a go-between for corporate whistleblowers, in Justin Piasecki and David Mackenzie’s smart surveillance conspiracy plot.

American producers the Danziger brothers established a hive of brisk, low-budget genre movies and cult TV in 1950s Britain. Son of a Stranger was a crime melodrama that tapped into the current vogue ...

Over half a century and around the globe, Laura Mulvey’s influence on thinking about film, through her writing and her own filmmaking practice, has been unparalleled. As she receives a BFI Fellowship, ...