Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.
Our Railway 200 series continues with a look at trains in British animation, from a 1980s Ovaltine advert to a psychedelic gem from the Yellow Submarine team.
Edward Berger’s film about a professional gambler drowning in casino debts feels lacklustre compared to the gambling-movie classics that serve as its clear inspiration.
This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.
Commercial and licensing BFI distribution Archive content sales and licensing Venue hire BFI book releases and trade sales Selling to the BFI Commercial partnerships ...
The collection includes Jones’s personal 16mm copies of the Monty Python feature films.
I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.
Applications are now open for the BFI National Lottery Audience Projects Fund, which will award £19.7m of National Lottery funding over three years to support the exhibition and distribution of ...
Following his autobiographical films, Terence Davies directed a run of four sublime adaptations, including The House of Mirth and Sunset Song. His personal archive sheds fascinating light on his ...
Palestinian filmmaker Kamal Aljafari’s vibrant documentary about everyday life in Gaza circa 2001 is an act of preservation and resistance writes Arron Kennon, one of the critics on this year’s LFF ...
Over half a century and around the globe, Laura Mulvey’s influence on thinking about film, through her writing and her own filmmaking practice, has been unparalleled. As she receives a BFI Fellowship, ...
The maverick filmmaker and pioneer of the docudrama, whose anti-establishment works redefined political cinema and challenged the very language of mass media, has died aged 90.
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