The new GFX100 II is the latest addition to the GFX Series of mirrorless digital cameras. It incorporates a 55mm large-format image sensor alongside a host of decent video features. The GFX100 II ...
The quieter Wilcam 11 VistaVision camera was too cumbersome and unreliable for “One Battle After Another,” but Lanthimos explains why he felt it was necessary.
Jack Dearing loves what he calls an anachronism in today's digital world - large-format photography. Large-format photography is leftover from the 1800s, when large glass plates were used to make ...
Digital Camera World on MSN
In a digital world, this analog series of photos makes headlines, showcasing beautifully captured black-and-white landscapes
Shot on a 4x5in view camera with sheet film, this award-nominated series captures the quiet majesty of forests, proving ...
RED Digital Cinema has released the new V-RAPTOR [X] 8K VV and V-RAPTOR XL [X] 8K VV cameras with RED Global Vision. The new cameras feature the low-light performance, dynamic range, resolutions, high ...
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There is such a thing as timeless camera design
When I first discovered photography, it was with a Sinar 4x5 large-format view camera, lugged in a massive case that barely fit into the trunk of my beat-up 1972 BMW. I spent my days trekking up and ...
This collection consists of 3.3 cubic feet of material relating to the LFC program. The following types of material were included: manuals, reports, plans, memorandums, one audio cassette, maps, and ...
Fujifilm releases an almost endless number of Instax Mini instant cameras like the recent retro-looking Instax Mini 99, but has only sold two wide-format Instax Wide instant cameras to date. After 10 ...
The Instax Wide Evo Hybrid Instant Camera uses Fujifilm’s wide format instant film and doubles as a smartphone printer. The Instax Wide Evo Hybrid Instant Camera uses Fujifilm’s wide format instant ...
17don MSN
Dan Laustsen on Shooting Guillermo del Toro’s ‘Frankenstein’: ‘It’s About Love and Forgiveness’
Oscar-nominated DP Dan Laustsen breaks down how he and Guillermo del Toro shot Frankenstein with Alexa 65, tungsten light, and practical effects.
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